May 21, 2015
Geographic North, 2.26.2015
My ear hit a downward spiral after All The Saints’ debut LP, Fire on Corridor X (Killer Pimp, Touch & Go). At the very beginning of my exposure to independent, outsider psychedelic music, Atlanta buried my ear in the greatest depths of dense, impenetrable tremolo...
May 14, 2015
Permanent Records, 2.17.2015
Recently, Dangerous Minds featured an article about one of Nirvana’s infamous South American concerts, in which Kurt Cobain and the gang responded to the audience’s violence against Calamity Jane with their own form of mockery. The pure noise that opens the show...
May 13, 2015
Brian Records, 2.9.2015
On this massive 10-sided release, courtesy of the self-proclaimed weirdos at Brian Records, prolific turntablist/band leader/electronic indie rocker, Andrew Broder serves up mountains of grooves. I’m talking about mashed potato gloppings of heavy, thudding beats paired with...
April 28, 2015
Full Spectrum, 3.2.2015
Beast Nest is the straight-A kid who skipped every class. Beast Nest is the drug you could never quit, the dream you could never relive, the home you never found. More literally, Beast Nest is the project of Oakland artist Sharmi Basu, a mind-shattering experimentalist who breaks...
April 23, 2015
Bonding Tapes, 2.17.2015
Tim Cosner’s DEADTECH/MODERNHOMES begins with a series of gorgeous misfires. “Scrapes Low,” the first song on Cosner’s debut solo album, stutters and skips before mounting into full attack. Each track that then follows increases in intensity, making the track that preceded...
April 22, 2015
Posh Isolation, 1.23.2015
When it comes to modern field recordings and processed, situational drone music, you’d be hard pressed to find a more apt or agile producer than Jacob Kirkegaard. The Danish sound artist, currently based in Berlin, has issued work after work of dark and weighted meditation...
April 13, 2015
Elestial Sound, 11.15.2014
The tracklist of Hyper Pollen Temple, the new album from Kane Pour, holds many mysteries. Who is the “Wooden Twin?” What is the “Frog’s Puzzle Box?” How can one begin to unravel the web of references lying beneath the album’s surface? Not everyone...
April 8, 2015
Mike Shiflet and John Kolodij are two guitar players whose approach to the instrument is vastly different from most six-string slingers. Their past work has reflected an ability to cherry-pick elements from disparate sonic traditions and unify them in an elegant fashion. Harsh static,...
April 7, 2015
Revolving Door Records, 1.1.2015
Protector 101 — aka Ventura, CA native Jake Freeman — has risen steadily to become one of the more celebrated modern artists working in his particular field. Most often found among the generally excellent Aphasia Records roster, Freeman has spent the past couple...
April 6, 2015
Boring Machines, 4.6.2015
If any kind of charge can be leveled at Death Surf, the Italian duo Heroin in Tahiti‘s otherwise outstanding 2012 combination of propulsive surf rock and dirt-caked Morricone-infused desert blues, it is that it becomes increasingly difficult to withstand over the course...
April 2, 2015
New Atlantis Records, 9.23.2014
It is difficult to find a narrative to coincide with U SCO‘s latest album, Treffpunkt. Their first release with New Atlantis Records finds the punk trio engaged in an endurance battle that is as uncompromising as it is genre-defying. Not surprisingly, it is difficult...
April 1, 2015
Editions Mego, 3.3.2015
For their second collaborative LP, Behold, microfamous multi-instrumentalists Oren Ambarchi and Jim O’Rourke convened again in O’Rourke’s adopted hometown of Tokyo for another round of introspective, expansive improvisation. Recorded at O’Rourke’s studio Steamroom and...
March 24, 2015
CrackleTimesFavor Cassettes, 1.16.2015
What? Are you kidding me? How do these tapes exist? How have I lived twenty-some whole years of worthless life without this release? How did the universe hold together without these cassettes to imbue each atom with immutable significance? Fuck me, I love this...
March 5, 2015
Sick Room Records/Murailles Music, 9.15.2014
Only / When You’re Near / When You’re Near / I grow steady / You make me steady / Longing / In my dreaming / Wishing / We were stealing / Kisses / Your sweet kisses.
Annie Lewandowski seizes her listener from the moment Arrest opens, which is...
March 4, 2015
Umor Rex, 2.24.2015
Phil “PT” Tortoroli co-curates NYC’s burgeoning Styles Upon Styles imprint, which is focused on dropping adventurous slabs of wax in a primarily electronic vein. Alongside the mother imprint, which features arresting music from the likes of Archie Pelago and White Visitation,...
February 27, 2015
Drid Machine, 10/13/2014
The inner fascist buried deep in your psyche would probably tell you that music this good should be illegal. There’s no way such a raucous din could contribute to a cohesive, well-functioning society. Do we really dare think of the dangers to be incurred if every listener...
February 18, 2015
Small Scale Music, 11/17/2014
Comprised of four mainstays of the Montreal free-music scene, BCH+C convened in the back of Le Cagibi during an edition of the weekly Mardi Spaghetti series, which Small Scale Music brought out on cassette this past November. Encompassing free jazz, noise rock and small-sound...
February 10, 2015
Mexican Summer, 2.10.2015
To those familiar with Jefre Cantu-Ledesma, his new album jacket may look familiar. But something is a little bit off – the image is abstract, evocative, sparse, yet clearly engaged with the familiar concept of “love.” It’s kind of like Joan Miró was commissioned...
February 5, 2015
Drag City, 10.21.2014
On Running’s Castle Face LP, Vaguely Ethnic, the second side diverged into one of the band’s most direct krautrock sequences, spurred by a strange number called “Raven’s Ca$h.” The song churns the trio’s regenerative-guitar-queasy-bass-hammered-drums...
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January 30, 2015
I have been a multitude of shapes,
Before I assumed a consistent form.
I have been a sword, narrow, variegated,
I have been a tear in the air,
I have been in the dullest of stars.
I have been a word among letters,
I have been a book in the origin.
— From a poem by Taliesin Ben Beirdd